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All contents of this site are copyright of Bottle Tree Productions, Anne Marie Mortensen, and Charles Robertson, except where acknowledgment is given otherwise. You may not reproduce the content of this site without express written permission from one of us. You may link back to the site. YOu may link to an appropriate page but not directly to a download. You may not use images without written permission. You may not offer monologues or other downloads available on this site as if they were your own. You may use monologues for audition and learning purposes only, as PRINTED material.

In support of International Women's Week: We Don't Stop!

Ophelia in the pond with flowers.
The Wellington Street Theatre
Download the show poster

International Women's Week: We Don't Stop!

Over the past one hundred years, we have not stopped contributing artistically, economically, politically, and socially in our communities.

March 8 is International Women's Day (IWD), the highlight of International Women's Week (IWW). Each year at this time, we celebrate progress toward equality for women and their full participation; reflect on current challenges and consider future steps in achieving equality for all women, in all aspects of their lives.

Bottle Tree Productions and the Wellington Street Theatre are proud to support this event with a free showing of Ghost of the Tree, Charles Robertson's award-winning play about seven generations of women trapped in a doomed family tree. Starring Hannah Smith (Mrs. Lovett in Bottle Tree Productions' Sweeney Todd) and Megan Ready-Walters(Joanna in Sweeney Todd) This play has already captured a number of awards across Ontario, and played at the Ontario Housing Conference (Homelessness) and at a National Conference on Gender Violence.

Purchase a copy of the script

Purchase a copy of this script. $10.00 CDN

Buy the Ghost of the Tree Script

To read a review of the play from the Queen's Journal please go to Queens Journal Review

To read a review of the play from the Halifax Chronicle Herald please go to Atlantic Fringe Festival Review

To read a review of the play from Eye Magazine please go to Eye Magazine Review